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1982
A photo shoot in New York City where we
spent hours upon hours trying to get the
right shot as I was walking out the door
with all my things. I had alot in comman
with bag ladies. |
A
King on his throne. 1980 Son of Stiff
tour. Tut's, Chicago, Ill. |
I'm
laughing because I have a brand new crown.
Usually after one show they always get
trashed and at the end of a crown's life
it is sacrificed by fire, on a stage 500
miles from no-where, where the promoter
dosen't have the money to pay you. |
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| At
a club in New Braunfels, Tx. 1983. Playing
the song "Kantina"; which was
written about a Taxi in Tulum, Mexico.
Asbestos ceilings make me nervous. |
Here
I am being a wineholder for Bob Merlis
of Warner Bros. records, also spokesperson
for Madonna. On right- Marshal Crenshaw
1981, Grenwich Village. |
1984
Houston Tx. Fitsgeralds, ? And the Mysterians.
They held the #1 position on the American
Charts with the song "96 Tears"
for four weeks in 1966. This song along
with "Wooly Bully", by Sam the
Sham and "She's about a mover",
by Sir Douglas Quintet definatly shaped
my musical direction up until this day. |
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| Being
forced to sign with MCA Records 1981,
Hollywood Ca. The end of Tex Mex nuevo
wavo Innocence. |
On
a party safari going through Sweden -
1982. |
With
Leo from the Equators 1981-who cost us
6 hours at the Dutch-German Border because
of passport left at Hotel. |
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| Wrote
the song called "Don't Let a Woman
make a fool out of you", also "Time
stands still in Paradise", we were
staying at the Tropicana Hotel. |
With
an Equator at Club Foot 1981. |
The
Equators were from Birmingham, England.
They were produced by Eddy Grant. They
toured with me on the Son of Stiff tour
in 1980 and played a huge part in the
way that I combine Tex-Mex and Reggie
today. |
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| Hypnotic
A GO-GO |
1986
- "If it ain't Tex-Mex, It ain't...". |
1982
- Another Jump for Tex-Mex. A small leap
for Jalapenos. |
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| 1985
- During my Mayan Hieroglyphics phase
and flying sombreros. The sticker on my
'57 Telecaster guitar says U.S. out of
El Salvador. |
Being
helped off stage by Swami Joe Nick Patoski
in the traditional James Brown Fashion. |
New
York City - 1980, Danceteria Club. Recruting
N.Y. Punks to join up with Tex-Mex-Nuevo
Wavo. |
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| 1983
- Big Muscles. No workout = Party Weekend!!!
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Filiming
Current Events Video - 1981 |
Joe
during Son of Stiff Tour, thinking I'm
James Brown |
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With
me favorite '61 Telecaster guitar |
Our
first Big Time record company photo session
done in New York - 1980. That is if you
consider Stiff Records to be "Big
Time". |
1983
- Joe Nick Patoski - "Now editor
of Texas Monthly", being the Tex-Mex
Swamp Swami, taking me offstage in the
James Brown tradition. |
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